Results of the 47th Annual Robert Finley Awards
Presented in January 2023, these awards celebrate the 2022 performance season.
Finley Award Results
THE SUSAN HAYWARD AWARD - BEST DIRECTOR (PLAY)
Chris McRae, One Flew Over the Cuckoo’s Nest, Darlington Theatre Players
BEST ACTOR (PLAY)
Brett Hamilton, Arthur Roeder, Radium Girls, Old Mill Theatre
BEST ACTRESS (PLAY)
Natalie Burbage, Fran Price, Things I Know to be True, Melville Theatre Company
BEST SUPPORTING ACTOR (PLAY)
Thomas McCracken, Mark Price, Things I Know to be True, Melville Theatre Company
BEST SUPPORTING ACTRESS (PLAY)
Jennifer McGrath, Fury, When Dad Married Fury, Garrick Theatre
THE DAVID CREWES AWARD - BEST SET (PLAY)
Alex McLennan and Alida Chaney, My Mother Said I Never Should, Playlovers
THE BRENDA STANLEY AWARD - BEST COSTUMES (PLAY)
Marjorie DeCaux, One Flew Over the Cuckoo’s Nest, Darlington Theatre Players
THE BRIAN MADDOCKS AWARD - YOUTH IN A PLAY
Steven Jones, Teddie Deakin, The Ghost Train, Murray Music and Drama Club
THE TERRY HACKETT AWARD - BEST PLAY ENSEMBLE
Pack of Lies, Wanneroo Repertory
THE MARY WEBB AWARD - BEST DIRECTOR (MUSICAL)
Drew Anthony, 42nd Street, Wanneroo Repertory
BEST ACTOR (MUSICAL)
Mark Thompson, Henry Higgins, My Fair Lady, Alexandra Theatre
BEST ACTRESS (MUSICAL)
Grace Edwards, Eliza Doolittle, My Fair Lady, Alexandra Theatre
BEST SUPPORTING ACTOR (MUSICAL)
Christopher Alvaro, Christopher Belling, Curtains, Koorliny Arts Centre
BEST SUPPORTING ACTRESS (MUSICAL)
Natasha Cove, Anytime Annie, 42nd Street, Wanneroo Repertory
BEST CHOREOGRAPHER
Drew Anthony, 42nd Street, Wanneroo Repertory
BEST MUSICAL DIRECTOR
Taui Pinker and Tara Oorjitham, Curtains, Koorliny Arts Centre
THE KEVAN HOOK AWARD - BEST SET (MUSICAL)
Stephen and Peter Carr, School of Rock, Koorliny Arts Centre
THE TERRY MACAULEY AWARD - BEST COSTUMES (MUSICAL)
Lyn Hutcheon, Curtains, Koorliny Arts Centre
THE VERONICA OVERTON-LOW AWARD - YOUTH IN A MUSICAL
Mary Carter, Lina Lamont, Singin’ in the Rain Jr, Bel Canto Performing Arts
TOP FIVE YOUTH PRODUCTIONS (IN NO PARTICULAR ORDER)
Anne of Green Gables, Stirling Players
Singin’ in the Rain Jr, Bel Canto Performing Arts
Chicago, Wanneroo Secondary College
Getting to Know Oklahoma!, Primadonna Productions
Heroes, Darlington Theatre Players
THE AILSA TRAVERS AWARD - YOUTH PRODUCTION
Heroes, Darlington Theatre Players
THE YVONNE LYNCH BREAKTHROUGH AWARD
Ellis R Kinnear (Director), Radium Girls, Old Mill Theatre
THE HYWELL WILLIAMS AWARD - TECHNICAL ACHIEVEMENT
The Ghost Train, Murray Music and Drama Club
THE PAULINE LAWRENCE AWARD - BEST LIGHTING
John Woolrych, Radium Girls, Old Mill Theatre
THE ELIZABETH CREWES AWARD - FRONT OF HOUSE
Female Transport, Goldfields Repertory Club
THE SHIELA BUCHANEN ACHIEVEMENT AWARD
Kieran Ridgway
THE YVONNE HOUGH NIELSEN AWARD
Ursula Kotara
TOP 10 PLAYS (IN NO PARTICULAR ORDER)
Beautiful Thing, Old Mill Theatre
One Flew Over the Cuckoo’s Nest, Darlington Theatre Players
Who’s Afraid of Virginia Woolf?, Performing Arts Association of Notre Dame Australia
Radium Girls, Old Mill Theatre
Pack of Lies, Wanneroo Repertory
Ghosts, Melville Theatre Company
My Mother Said I Never Should, Playlovers
In Sight of the Sea, Harbour Theatre
Things I Know to be True, Melville Theatre Company
The Last Days of Judas Iscariot, Irish Theatre Players
THIRD-PLACED PLAY
One Flew Over the Cuckoo’s Nest, Darlington Theatre Players
SECOND-PLACED PLAY
My Mother Said I Never Should, Playlovers
ROBERT FINLEY AWARD FOR BEST PLAY
Things I Know To Be True, Melville Theatre Company
TOP FIVE MUSICALS (IN NO PARTICULAR ORDER)
School of Rock, Koorliny Arts Centre
Curtains, Koorliny Arts Centre
The Marvellous Wonderettes, Primadonna Productions
My Fair Lady, Alexandra Theatre
42nd Street, Wanneroo Repertory
THIRD-PLACED MUSICAL
My Fair Lady, Alexandra Theatre
SECOND-PLACED MUSICAL
42nd Street, Wanneroo Repertory Inc.
ROBERT FINLEY AWARD FOR BEST MUSICAL
Curtains, Koorliny Arts Centre
ITA Awards
Hall of Fame inductees
Michael Hart
Brian Mahoney
Bree Hartley
Kent Acott
Finley Adjudicators' Certificates
For choreographing aggressive and realistic fight scenes – Nastassja Kruger, Romeo and Juliet, GRADS
For his sensitive, yet significant didgeridoo playing – Bradley Jeffrey, One Flew Over the Cuckoo’s Nest, Darlington Theatre Players
For writing a poignant and effective play that proved as insightful as it was entertaining – Lis Hoffman and Phil Jeng Kane, In Sight of the Sea, Harbour Theatre
For the richness of his set design that paid appropriate homage to legendary local director Raymond Omodei – Jake Newby, Three Tall Women, Garrick Theatre
For being convincingly unconscious for most of the show – Carole Dhu, The Ghost Train, Murray Music and Drama Club.
For being convincingly dead for most of the show – Michael Rogers, Lucky Stiff, Primadonna Productions.
For playing long-term asylum residents who added to the creative authenticity of the setting – Michael Hart and Ray Egan, One Flew Over the Cuckoo’s Nest, Darlington Theatre Players
For their convincing and nuanced partnership as troubled housemates Adam and Tobey – Henry Freeman-Dick and Joe Haworth, In Sight of the Sea, Harbour Theatre.
For creating a believable and intimate on-stage courtship and romance despite very limited preparations and rehearsals – Cooper Gray and Felix Malcolm, Beautiful Thing, Old Mill Theatre.
For using skill, commitment and deftness to ensure a 140-year-old play had contemporary audience appeal – Ghosts, Melville Theatre Company.
For the high quality of their singing, interactions and characterisations – Caris Reid, Sian Wake, Bella Lambert and Gemma Little, The Marvellous Wonderettes, Primadonna Productions
For his creative and impressive sound design that included voices from notable community theatre identities – Alan Gill, The Appleton Ladies’ Potato Race, Melville Theatre Company
For perfect blocking and staging to accommodate “dead people” who could be seen by some characters but not by others – director Carryn McLean, Rose & Walsh, Stirling Players
For an extraordinarily mesmerising monologue as the heartbroken Butch – Grant Malcolm, The Last Days of Judas Iscariot, Irish Theatre Players
For the creative use of film to enhance the imaginative stories of a young boy - Heroes, Darlington Theatre Players
For using simple techniques to create a set with the look and feel of an apartment – Who’s Afraid of Virginia Woolf?, Performing Arts Association of Notre Dame Australia.
For her acting growth across multiple roles – Orla Poole
For being able to combine great musical skills with an ability to act and sing – Jack Dudek, Tuppence Cornelius, Ash Brady and Logan Bin Bakar, School of Rock, Koorliny.
For using a QR-code to provide audiences with additional information about this engrossing real-life story – Pack of Lies, Wanneroo Repertory.
For exceptional harmonies that belied their age – the ensemble, Oklahoma Jr, Primadonna Productions
Best Pantomime
Cinderella – The Slightly Deviated Version, Irish Theatre Players